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Valuation Trading Multiples & Precedent Transactions: Scripted Content Production and Distribution Companies

Valuation benchmarks for Scripted Content Production and Distribution Companies. Access public trading comps, EV/EBITDA acquisition multiples, and private market data for pitch books and valuation analysis.

1.1 - Scripted Content Production and Distribution Companies Market Context & Valuation Drivers

Public companies in this group develop, produce, and distribute scripted film and television content, often complemented by owned broadcast networks, streaming platforms, and theatrical cinema operations. They monetize through advertising, subscriptions, licensing, and box office, leveraging content libraries and multi-window distribution. These companies share similar revenue models, scale dynamics, and IP portfolios, making them appropriate public trading comparables and valuation benchmarks for integrated studios, broadcasters, and streamers.

Typical capabilities include slate development and financing for films and TV dramas, in-house and co-production, theatrical distribution and cinema operations, linear broadcast channel management, OTT streaming platform operation, rights windowing, international licensing and syndication, and advertising sales and branded content solutions. Many also manage music and ancillary IP, execute marketing and promotion, and leverage data-driven scheduling, audience analytics, and programmatic ad tech to optimize monetization.

Primary end markets include mass-market viewers across theatrical, linear TV, and OTT, advertisers and media agencies purchasing inventory, and third-party broadcasters and platforms licensing content internationally. Valuation drivers center on revenue growth and mix, EBITDA margin, subscriber growth and churn for streaming services, and audience ratings or box office performance that underpin ad yield, licensing fees, and content library valuation.

2. Valuation Analysis: Public Trading Comps & Multiples for Scripted Content Production and Distribution Companies companies

2.1 - Public Peer Groups & Median Valuation Multiples for Scripted Content Production and Distribution Companies sector

Description: Public companies in this group develop, produce, and distribute scripted film and television content, often complemented by owned broadcast networks, streaming platforms, and theatrical cinema operations. They monetize through advertising, subscriptions, licensing, and box office, leveraging content libraries and multi-window distribution. These companies share similar revenue models, scale dynamics, and IP portfolios, making them appropriate public trading comparables and valuation benchmarks for integrated studios, broadcasters, and streamers.
Wanda Film logo

Wanda Film

Website β€’ HQ: China
  • Enterprise value: $●●●m
  • Market Cap: $●●●m
  • EV/Revenue: ●.●x
  • EV/EBITDA: ●●.●x
  • Description: Provider of cinema operation, film production, and distribution services in China, with a robust network of theaters offering diverse multimedia formats, contributing significantly to the film industry through investment and creative development.
  • Key Products:
  • Multimedia Formats: Offers screenings in IMAX, Dolby, and CINITY for an enhanced viewing experience
  • Film Production: Engages in the creation and production of films across various genres
  • Film Distribution: Distributes films across a wide network, enhancing accessibility
  • Cinema Operation: Manages a vast chain of theaters with state-of-the-art technology
  • Special Events: Organizes premieres and exclusive screenings for new releases.
Zhejiang Huace Film & TV logo

Zhejiang Huace Film & TV

Website β€’ HQ: China
  • Enterprise value: $●●●m
  • Market Cap: $●●●m
  • EV/Revenue: ●.●x
  • EV/EBITDA: ●●.●x
  • Description: Provider of investment, production, and distribution services for film and television dramas, as well as professional education and digital derivative new business, aimed at creating high-quality content for broadcast and international markets.
  • Key Products:
  • Film Production: Investment and production of high-quality films
  • TV Drama Production: Creation and distribution of TV dramas
  • Animation Production: Development and marketing of animated content
  • Music Production: Production of music for various media
  • Digital Derivative Business: Emerging technologies and new business models
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Revenue growth
Median
15.7%
2025E
16.0%
2026E
EBITDA margin
Median
28.2%
2025E
28.6%
2026E
Cash EBITDA margin
Median
27.6%
2025E
28.0%
2026E
EV/Revenue
Median
8.4x
2025E
6.8x
2026E
EV/EBITDA
Median
28.9x
2025E
24.4x
2026E
EV/Cash EBITDA
Median
29.0x
2025E
25.5x
2026E
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2.3 - Precedent M&A Transactions & Implied Enterprise Values for the Scripted Content Production and Distribution Companies secto

Selected M&A transactions

Date Target Description Buyer(s) Relevance EV EV/Revenue EV/EBITDA
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3. Potential Strategic Acquirers for Scripted Content Production and Distribution Companies

3.1 Top Strategic Buyers in Scripted Content Production and Distribution Companies

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3.2 - Strategic Buyer Groups & Adjacent Industry and Verticals to the Scripted Content Production and Distribution Companies sector

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Buyer group 1: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ

●● companies
Description: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
Key Products: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
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Buyer group 2: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ

●● companies
Description: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
Key Products: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
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Buyer group 3: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ

●● companies
Description: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
Key Products: β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ, β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ
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4. Financial Sponsors & Private Equity in Scripted Content Production and Distribution Companies

4.1 - Buyout Funds active in Scripted Content Production and Distribution Companies

Buyout Funds investing in Scripted Content Production and Distribution Companies companies

50+ funds
Description: Buyout funds focused on Scripted Content Production and Distribution Companies companies globally.

4.2 - 4.2 - Growth Capital & Late-Stage Investorsin Scripted Content Production and Distribution Companies sector

Growth Equity Funds in Scripted Content Production and Distribution Companies companies

40+ funds
Description: Growth equity funds focused on Scripted Content Production and Distribution Companies companies globally.
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Valuation FAQ: Scripted Content Production and Distribution Companies

What is the current median EV/Revenue multiple for Scripted Content Production and Distribution Companies?

Based on our index of public trading comparables, the median Enterprise Value to Revenue (EV/Rev) multiple for the Scripted Content Production and Distribution Companies sector is currently ●.●x. High-growth peers in the top quartile are trading at ●●.●x. View full data.

What is the average EV/EBITDA multiple for companies in this sector?

Profitable companies in the Scripted Content Production and Distribution Companies sector trade at a median EV/EBITDA multiple of ●●.●x. This represents a change vs the 5-year historical average. Our platform tracks EBITDA multiples for Scripted Content Production and Distribution Companies and other key peer groups.

How have valuation multiples for Scripted Content Production and Distribution Companies trended over the last 5 years?

Valuations have adjusted since 2021. The sector saw peak multiples of ●●.●x EV/Revenue, settling to a 5-year average of ●.●x today. Access our Historical Trends chart for granular monthly data.

What are recent M&A transaction multiples in the Scripted Content Production and Distribution Companies space?

Recent precedent transactions indicate implied enterprise values ranging from ●.●x to ●●.●x Revenue. Private market deals often trade at a liquidity discount compared to public peers. Unlock the full list of precedent transactions.

Which public companies are used as trading comps for Scripted Content Production and Distribution Companies?

The primary trading comparable group includes Scripted Content Production and Distribution Companies. Key constituents used for benchmarking include large-cap leaders and specialized mid-cap players. See the full list of companies in the Public Trading Comps section.

How do I value a private company in the Scripted Content Production and Distribution Companies sector?

Valuing a private Scripted Content Production and Distribution Companies company typically involves applying current EV/Revenue and EV/EBITDA multiples from public peers to the private company's financial metrics. A discount for lack of marketability (DLOM) of 20-30% is often applied. Our private company valuation database provides the exact multiples needed for this calculation.

What are the Scripted Content Production and Distribution Companies industry valuation multiples for 2025?

For 2025, the Scripted Content Production and Distribution Companies industry is trading at a median EV/Revenue multiple of ●.●x. This reflects current market sentiment, interest rates, and growth expectations. Access our platform to see how these multiples have changed from 2024 to 2025.

What is the difference between trading comps and transaction multiples for Scripted Content Production and Distribution Companies?

Trading comps look at how public markets value similar companies today, while transaction multiples (or precedent transactions) look at the price paid in past M&A deals. Transaction multiples often include a "control premium," typically resulting in higher valuations than trading comps. Our database tracks both trading multiples and M&A transaction multiples.

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